Kelenteng: Benteng Terakhir Dan Titik Awal Perkembangan Kebudayaan Tionghoa Di Indonesia
DOI:
https://doi.org/10.21512/lc.v1i1.264Keywords:
kelenteng, Orde Baru, TionghoaAbstract
This article discussed about the degradation of culture among Tionghoa society in Indonesia due to public pressure during Orde Baru era. It is fortune during the hard time, kelenteng as the place for prayer for Tionghoa society also had became place of protection for many forms of culture, such as life philosophy, ritual, and art. And now after the political pressure removed and the Tionghoa society wanted to know their culture, kelenteng becomes one of the important sources for knowledge about Tionghua’s culture. But, that apparently was not easy because many kelenteng were in sad condition and being pushed away by the Tionghoa society itself.
Plum Analytics
References
Hean-Tatt, Ong. 1996. Simbolisme Hewan Cina. Jakarta: Kesaint Blanc.
Herwiratno, Martinus. 2001. Laporan Hasil Riset Kebudayaan Cina di Indonesia untuk Film Cabaukan. Jakarta
_______. 2002. Laporan Hasil Riset Kebudayaan Cina di Jawa untuk serial Film Dokumenter: Kelenteng-kelenteng di Pesisir Utara Jawa. Jakarta.
_______. Februari 2003. Laporan Hasil Riset Kebudayaan Cina di Indonesia untuk Sinetron Perayaan Imlek: Tahun Baru Terindah, TV-7. Jakarta.
_______. September 2001 “Perayaan Dewa Sampokong – Semarang.” Swara Chantika. Jakarta.
_______. April 2002. “Malam 1 Suro di Gunung Kawi.” Swara Chantika. Jakarta.
_______. 25 Agustus 2001. “Semarang Kota 1000 Kelenteng.” Harian Sinar Harapan. Jakarta.
Indonesian Journal of Social and Cultural Anthropology, Th XXVII no. 71, Mei-Agustus 2003, Departemen Antropologi Fak Ilmu Sosial dan Ilmu Politik, Universitas Indonesia.
Kingsley, Rebecca. 1998. Chinese Gods & Myths. Singapore: Quantum Books Ltd.
Kwa Thong Hay. 1990. Dewa-dewi Kelenteng. Semarang: Yayasan Kelenteng Sampokong.
Lip, Evelyn. 1981. Chinese Temples and Deitis. Singapore: Times Books International.
Pan, Lynn (General Editor). 2002. The Encyclopedia of Chinese Overseas. Chinese Heritage Centre, Archipelago Press & Landmark Books. Singapore.
Salmon, Cl and D. Lombard. 1985. Klenteng-klenteng Masyarakat Tionghoa di Jakarta. Jakarta: Yayasan Cipta Loka Caraka.
Suryadinata, Leo. 2002. Negara dan Etnis Tionghoa – Kasus Indonesia. Jakarta: Pustaka LP3S Indonesia.
Suryadinata, Leo. 1988. Kebudayaan Minoritas Tionghoa di Indonesia. Jakarta: PT Gramedia.
Wolfram, Eberhard. 1990. Dictionary of Chinese Symbols. Singapore: Federal Publications.
Williams, CAS. 1998.Chinesse Symbolism and Art Motifs. Tokyo: Tuttle Publishing.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License - Share Alike that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
USER RIGHTS
All articles published Open Access will be immediately and permanently free for everyone to read and download. We are continuously working with our author communities to select the best choice of license options, currently being defined for this journal as follows: Creative Commons Attribution-Share Alike (CC BY-SA)