The Stereotyping Representation of Kensi Blye’s Character in Television Crime Drama Series NCIS: Los Angeles

Authors

DOI:

https://doi.org/10.21512/lc.v16i1.7671

Keywords:

crime drama, feminism, gender stereotype, representation

Abstract

The research discussed a stereotyping representation of Special Agent Kensi Blye, one of the female characters in the crime drama series ‘NCIS: Los Angeles series’. In the crime drama genre, a very masculine genre, the notion of a female character having masculine traits was common. Another issue was how the other male characters in the television show saw Kensi Blye. Their willingness to openly accept that Kensi Blye had more masculine traits than her feminine traits would be discussed. To analyze the representation of Kensi Blye, the three-dimensional framework was used as the approach. The research data were gathered from the utterances expressed by Kensi Blye’s co-workers about Kensi. The textual analysis would be the analysis of obtained data using a social actor network. Then, the resulting data would be analyzed using the feminine and masculine traits to find out how the other co-workers represent Kensi Blye’s character. The finding suggests that as the only female field agent, Kensi Blye seems to have a strong character, but in certain situations, her male co-workers still question her femaleness. The stereotyping of femaleness in female characters is inevitable even in the masculine genre of television cinema. 

Dimensions

Plum Analytics

References

Ali, Z. S. (2014). Visual representation of gender in flood coverage of Pakistani print media. Weather and Climate Extremes, 4, 35-49. http://dx.doi.org/10.1016/j.wace.2014.04.001.

Anisman-Razin, M., Kark, R., & Saguy, T. (2018). Putting gender on the table: Understanding reactions to women who discuss gender inequality. Group Processes & Intergroup Relations, 21(5), 690-706. https://doi.org/10.1177%2F1368430217744648.

Appel, M., & Weber, S., (2017). Do mass mediated stereotypes harm members of negatively stereotyped groups? A meta-analytical review on mediagenerated stereotype threat and stereotype lift. Communication Research, 48(2), 151-179. https://doi.org/10.1177%2F0093650217715543.

Barthe, E., Leone, M., & Lateano, T. (2012). Commercializing success: The impact of popular media on the career decisions and perceptual accuracy of criminal justice students. Teaching in Higher Education 18(1), 13-26. https://doi.org/10.1080/13562517.2012.694099.

Bauer, N., & Santia, M. (2021). Going feminine: Identifying how and when female candidates emphasize feminine and masculine traits on the campaign trail. Political Research Quarterly, 75(3), 1-15. http://dx.doi.org/10.1177/10659129211020257.

Biscop, K., Malliet, S., & Dhoest, A. (2019). Subversive ludic performance: An analysis of gender and sexuality performance in digital games. Journal of Diversity and Gender Studies, 6(2), 23-42. http://dx.doi.org/10.11116/digest.6.2.2.

Brannon, L. (2017). Gender: Psychological perspective. Hoboken: Taylor & Francis.

Burns, B. (2016). Mother to other: Feminine becoming in Fiona McGregor’s Indelible Ink. Antipodes, 30(1), 71-85. https://doi.org/10.13110/antipodes.30.1.0071.

Byrne, L. R. (2015). She it was to whom ads were dedicated. IJAS Online, Special Postgraduate Issue, 4, 50-58.

Caldarone, R. (2017). Subjectivity and femininity: Reading Antigone. The New Centennial Review 17(2), 1-14. https://doi.org/10.14321/crnewcentrevi.17.2.0001.

Cavender, G., & Deutsch, S. K. (2007). CSI and moral authority: The police and science. Crime, Media, Culture: An International Journal, 3(1), 67-81. https://doi.org/10.1177%2F1741659007074449.

Coulthard, L., Horeck, T., Klinger, B., & McHugh, K. (2018). Broken bodies/inquiring minds: Women in contemporary transnational tv crime drama. Television & New Media, 19(6), 507-514. https://doi.org/10.1177%2F1527476418768001.

DeTardo-Bora, K. A. (2009). Criminal justice “Hollywood Style”: How women in criminal justice profession are depicted in prime-time crime drama. Women & Criminal Justice, 19(2), 153-168.

Donoghue M. (2018). Beyond hegemony: Elaborating on the use of Gramscian concepts in critical discourse analysis for political studies. Political Studies, 66(2), 392-408. https://doi.org/10.1177%2F0032321717722362.

Fairclough, N. (1995). Critical discourse analysis: The critical study of language. London: Longman.

Garland, T., Blackburn, A. G., Browne, J. A., Blanfort, C. D. (2018). Prime-time representations of female federal agents in television dramas. Feminist Criminology, 13(5), 609-631. https://doi.org/10.1177%2F1557085117693089.

Gill, R. (2016). Post-postfeminism? New feminist visibilities in postfeminist times. Feminist Media Studies, 16(4), 610-630. https://doi.org/10.1080/14680777.2016.1193293.

Hall, S., Evans, J., & Nixon, S. (2013). Representation. London: Sage Publication Ltd.

Harack, K. (2016). Shifting masculinities and evolving feminine power. The Mississippi Quarterly, 69(3), 371-396. https://doi.org/10.1353/mss.2016.0011.

Harris, G. (2006). Beyond representation: Television drama and the politics and aesthetics of identity. Manchester: Manchester University Press.

Indradjaja, N. (2016). Female stereotyping through banters in crime drama series NCIS: Los Angeles. (Master’s thesis). Surabaya: Petra Christian University.

Inness, S. A. (1999). Tough girls: Women warriors and wonder women in popular culture. Philadelphia: University of Pennsylvania Press.

Kidd, M. A. (2016). Archetypes, stereotypes, and media representation in a multi-cultural society. Procedia –Social and Behavioral Sciences, 236, 25-28. https://doi.org/10.1016/j.sbspro.2016.12.007.

Koenig, A., & Eagly, A., (2019). Typical roles and intergroup relations shape stereotypes: How understanding social structure clarifies the origins of stereotype content. Social Psychological Quarterly, 82(2), 205-230. https://doi.org/10.1177%2F0190272519850766.

Li, K., & Zhang, Q. (2021). A corpus-based study of representation of Islam and Muslim in American media: Critical discourse analysis approach. The International Communication Gazette, 84(2), 157-180. https://doi.org/10.1177%2F1748048520987440.

Low, W., & Binns, C. (2016). Gender issues and public health. Asia Pacific Journal of Public Health, 28(2), 104-106.

https://doi.org/10.1177%2F1010539516637705.

McLaren, H., Star, C., & Widianingsih, I. (2019). Indonesian women in public service leadership: A rapid review. Social Science Journal, 8(11), 1-16. https://doi.org/10.3390/socsci8110308.

Nelson, T. (2009). Handbook of prejudice, stereotyping, and discrimination. New York: Taylor & Francis Group.

Scaggs. J. (2005). Crime fiction: The new critical idiom. London: Routledge.

Van Leeuwen, T. (2008). Discourse and practice: New tools for critical discourse analysis. London: Oxford University Press.

Verge, T. (2021). Evoking equality: The gender sensitivity of parliaments through their symbolic function. Political Studies, 1-20. https://doi. org/10.1177%2F0032321721998931.

Wilson, F. T., & Blackburn, A. G. (2014). The depiction of female municipal police officers in the first four decades of the core cop film genre: It’s a Man’s World. Women & Criminal Justice, 24(2), 83-105. https://doi.org/10.1080/08974454.2013.842521.

Wimshurst, K. (2018). Meaning-making and crime drama: The case of criminology student. Media International Australia, 171(1), 95-109. https://doi.org/10.1177%2F1329878X18798703.

Zenquis, M. R., & Mwaniki, M. F. (2019). The intersection of race, gender, and nationality in sport: Media representation of the Ogwumike Sisters. Journal of Sport and Social Issues, 43(1), 23-43. https://doi.org/10.1177/0193723518823338.

Downloads

Published

2022-03-23
Abstract 572  .
PDF downloaded 494  .