Female Psychology in August Strindberg’s The Stronger

Authors

  • Anton Sutandio Maranatha Christian University
  • Erica Apriliani Universitas Kristen Maranatha

DOI:

https://doi.org/10.21512/lc.v11i2.1756

Keywords:

female psychology, gender role, women’s self-esteem, ego style

Abstract

This research aimed to offer interpretations of August Strindberg’s The Stronger through the lens of female psychology. The Stronger is unique as it seemed very simple yet so intense and powerful with layers of interpretations. Written during 1888-1889, The Stronger, which only had two characters and only one speaking character, had become one of Strindberg’s shortest yet important plays during his career. The female psychology approach used in the analysis would cover the discussion of gender role, women’s self-esteem, competition for males, women’s friendships, ego style, and female psychology. It was an interdisciplinary research that combined structuralist, historical, biographical, and feminist approach to gain a better interpretation on the play. By referring to three different sources on the concept of female psychology, the analysis offered different and interesting interpretations on the nature and dynamics of the two female characters’ relationship. The Stronger has shown an enigmatic attraction in Strindberg’s authorship in which the readers could see the co-existence, collision, conflict, and merge of different paradigms concerning sex, gender, and sexuality.

Dimensions

Plum Analytics

Author Biographies

Anton Sutandio, Maranatha Christian University

English Department, Faculty of Letters

Erica Apriliani, Universitas Kristen Maranatha

Sastra Inggris

References

Aziz, F. H. (2010). August Strindberg’s The Stronger as Monodramatic Situational-Plot Structure: A Stylistic Study. Journal of the College of Arts. University of Basrah, 52, 21-52.

Bardwick, J. M. (1970). Psychological Conflict and the Reproductive System. In Edward L. Walker (Ed.). Feminine Personality and Conflict. Belmo: Wadsworth Publishing Company, Inc.

Bernard, J. (1981). The Female World. New York: The Free Press.

Brandell, G. (1988). Macro-Form in Strindberg’s Plays: Tight and Loose Structure. In Goran Stockenstrom (Ed.). Strindberg’s Dramaturgy. Minneapolis: University of Minnesota Press: Minneapolis.

Collier, H.V. (1982). Counseling Women: A Guide for Therapist. London: Collier Macmillan Publishers.

Gilman, R. (1999). The Making of Modern Drama. New Haven: Yale University Press.

Guttmann, D. (1970). Female Ego Styles and Generational Conflict. In Edward L. Walker (Ed.). Feminine Personality and Conflict. Belmo: Wadsworth Publishing Company, Inc.

Kimmel, M.S. (2004). The Gendered Society. New York: Oxford University Press.

Löongren, A.S. (2015). The Pre-Modern Strindberg: Sex, Gender, Sexuality. Tijdschrift voor Skandinavistiek, 34(1), 7-18.

Meyer, M. (Ed.). (1986). File on Strindberg. New York: Methuen Paperback.

-- (Trans.). The Plays of Strindberg: Volume I. New York: Vintage Books.

Ollen, G. (1972). World Dramatist: August Strindberg. New York: Frederick Ungar Publishing Co., Inc.

Sandelands, L. E. (2001). Male and Female in Social Life. New Brunswick: Transaction Publishers.

Sasani, S., Ghasemi, P. (2014). Entrapment in Relationships in August Strindberg’s The Father and Harold Pinter’s The Collection. k@ta, 16(1), 37-44.

Singh, A.D. (2014). Sexual, Textual and Traumatic Subjectivity: August Strindberg Representation of Class and Sexual Conflict in Miss Julie. Journal of Research in Humanities and Social Science, 2(10), 18-20.

Sprigge, E. (1955).(Trans.). Six Plays of Strindberg. New York: Doubleday Anchor Book.

Sprinchorn, E. (1982). Strindberg as Dramatist. New Haven: Yale University Press.

Strindberg, A. (1927). In Charlotte Porter & Helen A. Clarke (Eds.). Poet Lore Spring Number 1906, 47-50.

Tornqvist, E. (1991). Strindberg and Subjective Drama. In Michael Robinson (Ed.). Strindberg and Drama. Norwich: Norvik Press.

Yi, C.C. (2013). The Role of Sex in the Depiction of Gender and Class Conflict in Miss Julie by August Strindberg and The House of Bernada Alba by Federico Garcia Lorca. Lapis Lazuli: An International Literary Journal, 3(1), 1-7.

Downloads

Published

2017-11-30
Abstract 3036  .
PDF downloaded 953  .