Woman Exploitation in Warkop DKI Poster Film

Authors

  • Asidigisianti Surya Patria Universitas Negeri Surabaya
  • Nova Kristiana Universitas Negeri Surabaya
  • Hendro Aryanto Universitas Negeri Surabaya

DOI:

https://doi.org/10.21512/humaniora.v12i1.6756

Keywords:

women exploitation, sexuality, film posters, semiotics, gender

Abstract

This research aimed to determine how the representation of women in the poster of the comedy film Warkop DKI (Dono, Kasino, Indro) in 1980-1989 from a woman point of view. The involvement of women as models in the film poster media was not yet clear in terms of their roles; however, women could be used more as commodities of capitalism to reap profits. In the patriarchal rule, men were assumed to be created as culture-making in the other women were subordinated. This research used descriptive qualitative research methods by collecting data using documentation techniques. The collected data was reducted, presented, and concluded. Roland Barthes’ semiotic theory was used to analyze poster design elements that contained the exploitation of the female body. The research results find that (1) women in the film poster media are only subordinated to the poster to attract men, potential viewers. (2) Film posters show sexual exploitation and eroticism that is made into a high-selling and quite promising commodification.

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Published

2021-02-10
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