Usability, Design, and Content Issues of Mobile Apps for Indonesia Cultural Art Promotion: A Balinese Mask
DOI:
https://doi.org/10.21512/humaniora.v7i4.3596Keywords:
mobile usability, mobile application design, mobile content, cultural art, art promotion, Balinese maskAbstract
Various ways had been taken to promote the Indonesian culture in conventional media such as magazines, books, and even articles. The receiver generation who had lived in the abundance of technological world of digital media was the next target of inheritance and one way to do it was with the mobile application technology. So, it would be nice if the society started to take a big step to be more focused in the dissemination of culture and pass it following the development of the time, of course, without losing national identity. One of many interesting Indonesian Culture was Topeng Bali (Balinese Mask). Through observation and field research, knowledge about the art of Balinese mask was gathered, and later present it in form of mobile application. This research used the qualitative and quantitative method. The qualitative research was done by collecting data sampling from some of the selected target markets in limited quantities, while quantitative research was done by spreading the questionnaires that will be created and distributed to the main target market but not in the number and selected resource persons. This research finds that the mobile application is deemed appropriate to be one medium that can distribute effectively and efficiently in promoting one of Indonesia culture, Balinese mask.
Plum Analytics
References
Bali Tourism Office. (2012, 3 March). Statistics Ranking of Country Visits 2012. Retrieved 11th May 2012 from http://www.disparda.baliprov.go.id/id/Statistik2.
Bowen, J. P. (2005). Web Access to Cultural Heritage for the Disabled. In Hemsley, J. R., Cappellini, V., and Stanke, G. (eds), Digital Applications for Cultural and Heritage Institutions: Selected Papers from the EVA Conferences, Chapter 23, (pp. 215–225). Ashgate Publishing Limited.
Ceconello, M. (2012). Mobile Technologies: New Ways to Access Tourism, Culture, and Cities. Tafter Journal, 52, 1-5.
Central Bureau of Statistics Indonesia. (2008, 2 September). Number of Foreign Tourist Arrivals to Indonesia According to Entrance Gate. Retrieved 11th May 2012 from http://www.bps.go.id/index.php/linkTabelStatis/1386.
Creeber, G., & Martin, R. (2009). Digital Cultures: Understanding New Media. Glasgow: Bell and Bain Ltd.
Dawson, A. (2010, 2 December). A Study of Trend in Mobile Design. Retrieved January 28th 2013 from http://mobile.smashingmagazine.com/2010/12/02/a-study-of-trends-in-mobile-design/.
Dibia, I. W. (1994). Tari Tarian Bali Kreasi Baru: Bentuk, Petumbuhan dan Perkembangannya. Mudra Jurnal of Art and Culture, 2. 1. ISSN 0854-3461.
Filippini-Fantoni, S., & Bowen, J. P. (2008). Mobile Multimedia: Reflections from Ten Years of Practice. In Tallon, L. and Walker, K. (eds), Digital Technologies and the Museum Experience: Handheld Guides and Other Media, (pp. 79–96). Alta Mira Press.
Koentjaraningrat. (1974). Pengantar Antropologi. Jakarta: Aksara Baru.
Picard, M. (2006). Bali: Pariwisata Budaya dan Budaya Pariwisata (Kepustakaan Populer Gramedia). Jakarta: KPG (Original work published 1992).
Suardana, I. W. (2008). Struktur Rupa Topeng Bali Klasik. Jurnal IMAJI, 4 (1). ISSN: 1693-0479.
Travel and Leisure Magazine. (2012, 2 January). Top Ten Islands 2012. Retrieved 13th July 2012 from http://www.travelandleisure.com/worlds-best.
Trip Advisor. (2012, 5 January). Best Destination, Traveller’s Choice 2012. Retrieved 2nd February 2012 from http://www.tripadvisor.com/TravelersChoice
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
a. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License - Share Alike that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
b. Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
c. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work.
USER RIGHTS
All articles published Open Access will be immediately and permanently free for everyone to read and download. We are continuously working with our author communities to select the best choice of license options, currently being defined for this journal as follows: Creative Commons Attribution-Share Alike (CC BY-SA)