Wayang Kulit and The Growth of Islam in Java

Authors

  • Liliek Adelina Suhardjono Bina Nusantara University

DOI:

https://doi.org/10.21512/humaniora.v7i2.3526

Keywords:

wayang kulit, javanese performance, islamisation process, Islam growth

Abstract

This article intended to examine the circumstance of wayang kulit during the coming of Islam in the Java island of Indonesian archipelago; how it changed and held functions within the Islamisation process of the region. The lack of written materials made this issue was somewhat unclear . In exploring these issues, this article would explain some elements surrounded Javanese wayang, specifically during the Islamisation period of Java. By showing several examples of wayang kulit characters, whether or not wayang had undertaken adaptations during this era and how far was observed. The method of this was from the data collection for that largely originated from academic books and journals from both western and Indonesian scholars, and then some visual examinations would be done upon them. The observation of each object aims to show that while to some extent wayang did undergo some alterations during this Islamisation period, however the core value of wayang performance itself was still largely Javanese, principally and aesthetically.

 

Dimensions

Plum Analytics

References

Dahlan., Ghani, A., & Bin Ahmad Ishak, S. (2012). Relationship between the Art of Wayang Kulit and Disney's Twelve Principles of Animation. Revista de Cercetaresi Interventie Sociala, 37, 144-61.Retrieved January 2nd 2016 from http://www.proquest.com/.

Fattah, N. A. (1985). Metode Da’wah Wali Songo. Pekalongan: T.B. Bahagia.

Haryanto, S. (1988). Pratiwi mba Adhiluhung: Sejarah Dan Perkembangan Wayang. Jakarta: Djambatan.

Irvine, D. (1996). Leather Gods & Wooden Heroes: Java's Classical Wayang. Singapore: Times Editions.

Josselin de Jong, J. P. B. de. (1977). The Malay Archipelago as a Field of Ethnological Study. Structural Anthropology in The Netherlands: A Reader (ed.) P. E. de Josselin de Jong. The Hague: MartinusNijhoff.

Mulyono, S. (1978). Wayang: Asal-usul, Filsafat Dan Masa Depannya. Jakarta: Gunung Agung.

Poedjosoebroto, R. (1978). Wayang: Lambang Ajaran Islam. Jakarta: Pradnya Paramita.

Ricklefs, M. C. (2006-a). Mystic Synthesis in Java: A History of Islamization from the Fourteenth to the Early Nineteenth Centuries. Norwalk: East Bridge

Ricklefs, M. C. (2006-b). The Birth of the Abangan. Bijdragen Tot De Taal-, Land- En Volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, 162(1), 35-55. Retrieved from KITLV, Royal Netherlands Institute of Southeast Asian and Caribbean Studies.

Ulbricht, H. (1970). Wayang Purwa; Shadows of the past. Kuala Lumpur: Oxford University Press.

Van Dijk, K. (1998). Dakwah and Indigenous Culture: The Dissemination of Islam. Bijdragen Tot De Taal-, Land- En Volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia, 154(2), 218-35. Retrieved from KITLV, Royal Netherlands Institute of Southeast Asian and Caribbean Studies.

Van Ness., Edward, C. & Prawirohardjo, S. (1980). Javanese Wayang Kulit: An Introduction. Kuala Lumpur: Oxford University Press.

Varela, M. E. (2014). Wayang Hip Hop: Java’s Oldest Performance Tradition Meets Global Youth Culture. Asian Theatre Journal, 31(2), 481-504.

Woodward, M. R. (1989). Islam in Java: Normative Piety and Mysticism in the Sultanate of Yogyakarta. Tucson: The University of Arizona Press.

Woodward, M. (2011). Java, Indonesia and Islam. Dordrecht: Springer

Downloads

Published

2016-04-30

Issue

Section

Articles
Abstract 784  .
PDF downloaded 525  .