Pertempuran Ideologi Desainer Grafis Modernisme dan Postmodernisme dalam Konteks Font Helvetica
DOI:
https://doi.org/10.21512/humaniora.v4i1.3454Keywords:
Helvetica, modernism, postmodernismAbstract
This article discusses the mindset of modernism designers: Massimo Vignelli, Wim Crouwel as opposed to the perspective of postmodernism designers: Paula Scher and David Carson on Helvetica font. This discussion becomes interesting because the leaders of the two sides are the key figures in the world of graphic design. Their opinions on Helvetica font can be used as a guide to study world’s graphic design, due to they dominate the mindset of contemporary designers.
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References
Aynsley, J. (2001). A Century of Graphic Design. UK: Octopus.
Gaut, W. (2005). Filsafat Postmodernisme. Jakarta: Ledalero dan Lamalera.
Hardiman, F. B. (2011). Pemikiran Pemikiran yang Membentuk Dunia Modern. Jakarta: Erlangga.
Huswit, G. (2007). Helvetica, DVD. Swiss: Swiss Dots.
Jarret, M. S. (1997). Ray Gun: Out of Control. UK: Erlangga.
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