Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand

Authors

  • Deni Setiawan Universitas Gadjah Mada
  • Timbul Haryono Universitas Gadjah Mada
  • M. Agus Burhan Universitas Gadjah Mada

DOI:

https://doi.org/10.21512/humaniora.v6i3.3368

Keywords:

carnival clothing, cosplay, physical structure, art work

Abstract

Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions.

 

Dimensions

Plum Analytics

Author Biographies

Deni Setiawan, Universitas Gadjah Mada

Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa

Timbul Haryono, Universitas Gadjah Mada

Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa

M. Agus Burhan, Universitas Gadjah Mada

Program Studi Pengkajian Seni Pertunjukan dan Seni Rupa

References

Ahimsa-Putra, H. S. (2001). Strukturalisme Levi-Straus; Mitos dan Karya Sastra. Yogyakarta: Galang Press.

Al-‘Aththar, M. A. (2012). The Magic of Communication. Jakarta: Zaman.

Barnard, M. (2009). Fashion sebagai Komunikasi: Cara mengkomunikasikan identitas sosial, seksual, kelas, dan gender (Cetakan ke-2). Yogyakarta: Jalasutra.

Barthes, R. (1983). The Fashion System. New York: Hill and Wang.

Befon, W. (1996). Encyclopedia Britannica. Chicago, London: Encyclopedia Britannica.

Chaney, D. (1996). Lifestyles: Sebuah Pengantar Komprehensif. Yogyakarta: Jalasutra.

Corson, R. (1981). Stage Makeup. Englewood Cliffs, New Jersey: Prentice-Hall.

Danesi, M. (2010). Pesan, Tanda, dan Makna: Buku Teks Dasar Mengenal Semiotika dan Teori Komunikasi. Yogyakarta: Penerbit Jalasutra.

Feldman, E. B. (1967). Art as Image and Idea. New Jersey: Prentice Hall.

Gustami, S. P. (1992). Filosofi seni kriya tradisional Indonesia. SENI: Jurnal Pengetahuan dan Penciptaan Seni, 2. Yogyakarta: BP ISI Yogyakarta.

Koentjaraningrat. (1990). Pengantar Ilmu Antropologi (Cetakan ke-8). Jakarta: Rineka Cipta.

Morris, D. (2002). Peoplewatching: The Desmond Morris Guide to Body Language. London: Vintage Books.

Morris, D. (1977). Manwatching: A field guide to human behavior. New York: Harry N. Abrams.

Morrisan & Wardhany, A. C. (2009). Teori Komunikasi. Bogor: Yudhistira Ghalia Indonesia.

Rich, A. L. (1974). Interracial Communication. New York: Harper & Row.

Sachari, A. (2005). Pengantar Metodologi Penelitian Budaya Rupa: Desain, Arsitektur, Seni Rupa dan Kriya. Jakarta: Erlangga.

Sahman, H. (1993). Mengenali Dunia Seni Rupa: Tentang seni, karya seni, aktivitas kreatif, apresiasi, kritik dan estetika. Semarang: IKIP Semarang.

Saini, K. M. (2003). Penciptaan seni: menapak dan meninggi. SENI: Jurnal Pengetahuan dan Penciptaan Seni, 9, Yogyakarta: BP ISI Yogyakarta.

Taylor, J. G. (2005). Kostum dan gender di Jawa kolonial tahun 1800-1940. Dalam H. S. Nordholt (Ed), Outward Appearances: Trend, Identitas, Kepentingan (Cetakan ke-1). Yogyakarta: LKIS.

Walker, J. A. (2010). Desain, Sejarah, Budaya: Sebuah pengantar komprehensif. Yogyakarta: Jalasutra.

West, R., & Turner, L. H. (2008). Pengantar Teori Komunikasi: Analisis dan Aplikasi. Jakarta: Salemba Humanika.

Windharto, A. (1996). Pendidikan dan profesi desain produk industri di Indonesia. Seni Rupa, 6.

Wood, J. T. (2009). Communication in Our Lives. USA: University of North Carolina at Capital Hill.

Downloads

Published

2015-07-30

Issue

Section

Articles
Abstract 1029  .
PDF downloaded 1385  .