A Brief Analysis on The Mannerism of Strange Stories of A Chinese Studio by Pu Songling

Authors

  • Andyni Khosasih Bina Nusantara University

DOI:

https://doi.org/10.21512/humaniora.v3i2.3338

Keywords:

mannerism, strabnge stories, Chinese studio

Abstract

Strange Stories of a Chinese Studio, commonly known as 聊斋 (Liaozhai) is a short novel written in classical Chinese from Qing dynasty. This novel was written in 1680, year 19 of Emperor Kangxi’s reign. The novel has 491 chapters. Article explored Pu Songling’s mannerism, such as the contents, material collection, innovation of artistic literary elements and images of women. It can be concluded that  the novel reflects the broadness of humanistic world and thoroughly describes images of women. It broke through the restriction of thoughts in feudalism society.

 

 

Dimensions

Plum Analytics

References

丹尼斯·马尔，维克多·马尔：《聊斋志异选》，2001年，北京，外文出版社

季风观，《聊斋志异》，2004年，北京，时代文艺出版社

C.C. Low & Associates, 《Strange Tales of Liaozhai Volume 1》, 2004年，新加坡，Canfonian PTE LTD

C.C. Low & Associates, 《Strange Tales of Liaozhai Volume 2》, 2005年，新加坡，Canfonian PTE LTD

C.C. Low & Associates, 《Strange Tales of Liaozhai Volume 3》, 2005年，新加坡，Canfonian PTE LTD

C.C. Low & Associates, 《Strange Tales of Liaozhai Volume 4》, 2005年，新加坡，Canfonian PTE LTD

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Published

2012-10-31

Issue

Vol. 3 No. 2 (2012): Humaniora

Section

Articles

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