Pengaruh Tipografi pada Era Massimo Vignelli terhadap Tipografi Michael Bierut
DOI:
https://doi.org/10.21512/humaniora.v2i2.3201Keywords:
Vignelli, Bierut, graphic design, modernism, post-modernismAbstract
Massimo Vignelli is a senior graphic designer lived in New York, as a vocal modernism against post-modernism. His statement firmly opposing post-modernism in several occasions: interview in Helvetica the movie, typeradio, talkshow, and some articles in Looking Closer or AIGA Journal. Graphic design works of Massimo Vignelli reflected his characteristic, which is firmly choosing typeface. Typefaces of Vignelly are around 5 typefaces: Bodoni, Helvetica, Times Roman, Century, and Futura. The article uses formal analysis method. The writers collected materials about Michael Bierut, Massimo VIgnelli and Tibor Kalman from books and websites. The writers compare the typeface opinion of Massimo Vignelli (modernism designer), Michael Bierut designer (transition era designer from modernism to post-modernism), and Tibor Kalman (a designer in A Century of Graphic Design, as the influencer of Bierut’s betrayal over Vignelli).
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References
Aynsley, J. (2001). A century of graphic design. New York: Barron's Educational Series.
Bierut, M. (2007). Thirteen ways of looking at a typeface. Diakses 27 Juli 2011, dari http://observatory.designobserver.com/entry.html?entry=5497
Vignelli, M. (2006). Massimo Vignelli of vignelli associates. Diakses 27 Juli 2011 dari http://www.designboom.com/eng/interview/vignelli.html
Vignelli, M. (1991). Long live the modern movement. AIGA Journal of Graphic Design, vol. 9, no. 2, 1991.
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