Kajian Aspek Fotografis dalam Tehnik Olah Digital Poster Film “ Sang Pemimpi ”

Authors

  • Noor Latif CM Bina Nusantara University

DOI:

https://doi.org/10.21512/humaniora.v2i1.2969

Keywords:

digital process, photography, film poster, Sang Pemimpi

Abstract

As the advancement of digital imaging technology, this urges internal actors to be more accurate and explorative in producing visual communication work with photography element and digital touching process. Digital process ability with no photographical ability will produce raw and anomaly visual work of art. Besides, audience is smarter and more appreciative towards quality of visual appearance in several modern communication media. Film poster of Sang Pemimpi is a case reflection of general digital in visual communication work that has gap among communication product content according to the brand of the film. Photography element composition is melted with bondless pile among the objects. Logical photography as bonding bridge of visual logic is weak in execution; where we could see it has less digital process commercial market need with the supporting resources.

 

Dimensions

Plum Analytics

Author Biography

Noor Latif CM, Bina Nusantara University

Jurusan Desain Komunikasi Visual, Fakultas Komunikasi dan Multimedia

References

Peres, M. R. (2008). The concise focal encyclopedia of photography. UK: Focal Press.

Rand, G. D. R. (2008). Zone system photography. New York: Amherst Media.

Reeder, R. (2007). Digital negatives. UK: Focal Press.

Sarvas, R. (2011). Fron snapshot to social media-the changing picture of domestic photography. UK: Springer.

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Published

2011-04-30

Issue

Section

Articles
Abstract 245  .
PDF downloaded 313  .