Ragam Hias Nusantara

Authors

  • R.A. Diah Resita I. Kuntjoro-Jakti Bina Nusantara University

DOI:

https://doi.org/10.21512/humaniora.v1i2.2866

Keywords:

creative, motif, visual art

Abstract

Considering subsided natural resources, creative economic is a choice and proclaimed by Indonesian government on 2008. Design is one of creative economic components that has critical part in showing Indonesia’s identity in worldwide. So, Indonesian motifs as national culture richness played as a determined part in comparison between Indonesia and other nation’s masterpiece. This article is the first part from four parts. This part focuses more in describing basic visual art that becomes the strength of Indonesian motif design: dot and line, shape, texture, and colour.

Dimensions

Plum Analytics

References

Samara, T. (2007). Design Elements. A Graphic Style Manual. Massachusets: Rockport Publisher.

Tabrani, P. (1999). Belajar dari Sejarah dan Lingkungan. Bandung: ITB.

Toekio, M. S. (1987). Mengenal ragam Hias Indonesia. Bandung: Angkasa.

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Published

2010-10-30

Issue

Section

Articles
Abstract 2410  .
PDF downloaded 1722  .