The Application of Indigo Strobilanthes Cusia Natural Dye Paste Using Block Printing Technique on Textile

Authors

DOI:

https://doi.org/10.21512/humaniora.v16i1.13416

Keywords:

block printing, natural dye, indigo Strobilanthes cusia, fashion products

Abstract

Natural dyes can promote environmental sustainability while offering a unique and attractive aesthetic. This approach enhances the appeal of textile products, adding value and creating a competitive advantage in the creative and fashion industries. Indigo from Strobilanthes cusia is a well-known natural dye primarily used by textile artisans and designers to create vibrant indigo-colored fabrics. In surface textile design, there is potential to modify indigo solutions into a paste, which can be used to create motifs on fabric through block printing techniques. This research aims to develop an optimal indigo paste formula for block printing and to examine the application of natural dyes on fabric. The study employs a mixed-methods approach, collecting data from literature reviews, direct observations, social media analysis, and experimental work. During the experimental phase, block printing techniques are applied using different paste formulas on various fabric types to assess the optimal viscosity and fixation methods of the paste. The findings indicate that the natural dye derived from the indigo paste of Strobilanthes cusia yields an effective formula for block printing, particularly in terms of motif sharpness and color durability. The optimal composition was found to be 10 g of paste mixed with 5 mL of water, resulting in a viscosity value of 191 mPa·s. These findings can inspire the development of more sustainable textile products and expand the use of natural dyes across various textile printing techniques, potentially leading to innovative fashion products.

Dimensions

Plum Analytics

References

Abdurahman, S. N., & Kahdar, K. (2021). Eksplorasi ekstrak pewarna alami sebagai bahan pewarna organik untuk tekstil cetak. Jurnal Rupa, 6(2), 134. https://doi.org/10.25124/rupa.v6i2.3792

Alfiyani, L., Mukhlisin, L., Rahman, N. E., Yulianto, A., Setiyadi, N. A., Sarjito, S., Khuzaimah, I. S., Jery, J., Sumini, S., Afifah, R. N., Arifin, A., & Kewa, K. K. (2024). Pelatihan ecoprint berbasis pemberdayaan masyarakat untuk pengelolaan limbah organik. Journal of Human and Education (JAHE), 4(6), 303-308. https://doi.org/10.31004/jh.v4i6.1796

Chafidz, A., & Lestari, A. Y. D. (2021). Pengenalan teknologi ekstraksi zat warna alam untuk pewarna alami batik di UKM batik tulis “Kebon Indah”, Bayat, Klaten. Jurnal Komunitas: Jurnal Pengabdian Kepada Masyarakat, 3(2), 101-108. https://doi.org/10.31334/jks.v3i2.1271

Fadlillah, M. R., Hendrawan, A., & Febriani, R. (2024). Pengolahan pewarna alami Indigo Strobilanthes Cusia dengan teknik block printing pada tekstil. eProceedings of Art & Design, 11(6), 9180-9198.

Fobiri, G. K., Crentsil, T., Ayesu, S. M., & Kansanba, R. F. (2021). Hand block printing: Experimenting with assorted surfaces and inks. Journal of Arts and Humanities, 10(07), 44-60.

Hartl, A., Polleichtner, A., & Novak, J. (2024). “Purplish Blue” or “Greenish Grey”? Indigo qualities and extraction yields from six species. Plants, 13(7), 918.

Ikhsanti, N. T., & Hendrawan, A. (2020). Pengolahan pewarna alami indigo dengan teknik cap pelepah pisang pada produk busana. eProceedings of Art & Design, 7(2).

Kurniawan, C. (2020). Ekstarksi indigo dari daun Strobilanthes Cusia dan kajian pembentukan kompleks dengan ion Ni2+. Jurnal Kimia Dan Kemasan, 42(2), 93. https://doi.org/10.24817/jkk.v42i2.5977

Kusnadi. (2019). Motif batik mega mendung Cirebon dalam pemaknaan desain baru. Jurnal Teknologi, 8(1), 1-14.

Lisdiana, H., & Saefurahman, G. (2023, May). Utilization of Indigofera leaves as natural dyes for silk fabrics. In IOP Conference Series: Earth and Environmental Science (Vol. 1187, No. 1, p. 012014). IOP Publishing. https://doi.org/10.1088/1755-1315/1187/1/012014

Putri M, M., & Permanasari, M. D. (2021). Pengembangan pengolahan pewarna alami dengan teknik fabric manipulation pada produk Sarana Bawa. Itenas, 1-25.

Nasir, M., Azmin, N., Fauzi, A., Ruslan, R., Sandi, A., & Sitaman, S. (2024). Pemberdayaan kelompok tenun Muna Pa’a Desa Ranggo melalui teknologi pewarnaan alam dalam menunjang pembangunan berkelanjutan. Bima Abdi: Jurnal Pengabdian Masyarakat, 4(4), 270-281. https://doi.org/10.53299/bajpm.v4i4.1148

Parmono, K. (2013). Nilai kearifan lokal dalam batik tradisional Kawung. Jurnal Filsafat, 23(2), 135-146. https://jurnal.ugm.ac.id/wisdom/article/download/13217/9459%0A%0A

Pasaribu, S. P., Hendrawan, A., Cory, M., & Siagian, A. (2023). Pengaplikasian pewarna alam Gama Indigo menggunakan teknik lukis pada perancangan produk tekstil. [Undergraduate thesis, Telkom University]. Telkom University Open Library.

Rahmah, S. L., & Hendrawan, A. (2020). Pengaplikasian Teknik Screen Printing Dengan Pewarna Alam Pasta Indigo Pada Produk Fashion. eProceedings of Art & Design, 7(2). 3141-3152.

Rinjani, B. A., & Ramadhan, M. S. (2020). Pengaplikasian teknik Block Printing pada material kain tenun ATBM untuk perancangan produk fashion. eProceedings of Art & Design, 7(2).

Takao, G. S., & Widiawati, D. (2020). Pengolahan mordant pada zat warna alami Jelawe (Terminalia Bellirica) untuk menghasilkan motif dengan teknik cap. Prosiding Seminar Nasional Industri Kerajinan Dan Batik, 1-10. https://proceeding.batik.go.id/index.php/SNBK/article/view/78%0Ahttps://proceeding.batik.go.id/index.php/SNBK/article/download/78/50

Widowati, W., Sa’diyah, A. A., & Khoiriyah, N. (2023). Pendampingan pewarnaan Batik Singonegoro menggunakan pewarna alami dari tanaman Indigofera Tinctoria. Jurnal Abdi Insani, 10(3), 1755-1766. https://doi.org/10.29303/abdiinsani.v10i3.1049

Downloads

Published

2025-07-31

How to Cite

Darusiam, H. M., Ramadhan, M. S., & Takao, G. S. (2025). The Application of Indigo Strobilanthes Cusia Natural Dye Paste Using Block Printing Technique on Textile. Humaniora, 16(1). https://doi.org/10.21512/humaniora.v16i1.13416
Abstract 52  .
PDF downloaded 18  .