Humaniora

Community Participation in Developing Penglipuran Village in Bali as Tourism Village

Dewi Rachmawati, Lamria Raya Fitriyani — Fri, 05 Apr 2024 00:00:00 +0000

The research was conducted to determine the participation of the people of Penglipuran village in developing their village as a tourism village. Tourism development in an area certainly needed to be supported by the surrounding community. For this reason, community participation was essential, especially in tourism areas such as Penglipuran Tourism Village, Bali Island. This used the constructivism paradigm with descriptive qualitative research methods. The informants interviewed were the leaders of the traditional village, commonly called Kelian, as well as the people in Penglipuran village. The answers from the informants were analyzed using the theory of social change and the theory of community participation. Based on the results, community participation in Penglipuran village is on the partnership ladder. Currently, it is classified as a success because there is an opportunity for the community to be actively involved in conveying it to the village government. According to Cohen and Uphoff, in the decision-making process, Kelian, as a traditional village leader, has limited authority in connection with the concept of community participation. Program planning and decisions are formulated with all members of the village community. Likewise, during the implementation and evaluation stages of the program, even at the stage of enjoying the results, the entire village community is also involved.

Power Dynamics in the Arts Sponsorship : Activities in Bandung and Yogyakarta during COVID-19

Tue, 30 Apr 2024 00:00:00 +0000

The research objectively analyzed artists’ actions and strategic reactions in the urban areas of Bandung and Yogyakarta in Indonesia during the extremely turbulent COVID-19 pandemic from March 2020 to early 2021. The pandemic greatly impacted the lives of artists and practitioners because of stringent governmental prohibitions that prohibited public art events. The research examined practitioners’ experiences concerning their reliance or autonomy from government funding when engaging in arts-related endeavors. This research methodology was based on gathering data from social media and field investigations; a comprehensive collection of posters, photos, and relevant notes was compiled using a cultural studies framework. In addition, interviews were performed with arts practitioners and communities, specifically examining their involvement on social media platforms. A detailed investigation was conducted by carefully analyzing the interview data to clarify the differences between art practitioners in Bandung and Yogyakarta. It is found that this research distinguishes between individuals who receive government sponsorship and those who operate independently. It enhances the overall comprehension of power dynamics between arts practitioners and the government in the distinct setting of the COVID-19 epidemic, including those who operated autonomously. This research utilizes a cultural studies framework to examine the power dynamics between artists and the government in the context of the COVID-19 pandemic.

Women’s Empowerment in Rara Asmoro Community: Organizational Culture in Shadow Puppetry Performances

Latifa Ramonita, Rudi Sukandar, Dewi Widowati — Mon, 20 May 2024 00:00:00 +0000

The research discussed that the woman dalang was still not considered equal to male ones in shadow puppetry performances despite being developed in the Mataram Kingdom era. Various reasons caused this phenomenon, such as the audience's preferences for men's dalangs. To respond to this condition, an all-women's karawitan community, Rara Asmoro, emerged in Surakarta to give support to many women who love wayang arts. This community sought to embrace these women's potential to then jointly promote and strengthen their skills in the field of Javanese art and culture. This research attempted to analyze the organizational culture formed in the Rara Asmoro community as an effort to empower women in the Javanese wayang art. It employed a qualitative descriptive method to obtain a complete picture of the problem by interviewing the leader of Rara Asmoro and its four members. This research finds the significance of the leader in empowering its members, fostering their confidence and talents, and expanding their opportunities for networking within the Wayang world. The dynamics of the organizational culture in the community allow everyone to switch roles: as a dalang, as a karawitan player, and as a singer, which opens opportunities for all members to have added value and skills. Conflicts are always resolved in a democratic and respectful manner, in which the leader keeps all of her members close as a family. However, internally, concertive control has not been fully implemented in the organization as it is still centralized on the leader.

Lukman Batik: Experiencing Batik Making in Cultural Heritage Site

Nanik Rianandita Sari, Teguh Ariebowo, NurMakkie Perdana Kusuma — Mon, 20 May 2024 00:00:00 +0000

The research discussed Lukman Batik’s artwork, which served as a poignant reminder of the value of maintaining these traditions and ensuring that traditional techniques and patterns used in batik art were practical and could be carried on by future generations. The research aimed to conduct thorough research on Lukman Batik Yogyakarta and its significance as a cultural heritage site, to investigate the correlation between prior knowledge and cultural tendency in relation to the tourist experience of making batik at Lukman Batik Yogyakarta, to analyze the data collected and interpret the nature of the correlation between prior knowledge, cultural tendency, and tourist involvement in experiencing batik making at Lukman Batik Yogyakarta. The research was analyzed using Pearson correlation. The target audience of the survey was tourists who came to Lukman Batik, and the sample was 732 tourists aged 17-50 years old. The sample’s statistical analysis showed that the respondents’ sex ratio was generally balanced, with a majority of young and middle-aged (age 17-45 years old) tourists. The majority of participants had bachelor’s degrees or above, and the majority of respondents were professionals or employees. The research reveals that 0.949, which means that prior knowledge has a “very strong” relationship with cultural tendency and involvement. The result shows a significant positive relationship between prior knowledge and the cultural tendency of tourist involvement. Interaction with cultural attractions, such as batik making and tourist participation throughout the visit, play a major role in forming enduring memories.

Batik and Tenun Endek Diplomacy as a Cultural Legacy from Soeharto’s to Jokowi’s Administration

Evi Steelyana, Ine WawoRuntu — Wed, 05 Jun 2024 00:00:00 +0000

The research explored the interesting relationship between Indonesian cultural heritage and international relations. It focused on Batik Indonesia and Tenun Endek Bali as strategic tools for cultural diplomacy efforts across different presidential administrations. Starting with President Soeharto’s use of Batik as a gift at the United Nations in the 1980s, these textiles have appeared at six major ASEAN and APEC Summits. The key research question was whether these gorgeous textiles had been effective in promoting Indonesian culture on a global stage. The objective was to analyze the evolution of Batik Indonesia and Tenun Endek Bali, emphasizing significant international events where they gained recognition, such as the ASEAN and APEC Summits. The research employed qualitative methods and archival content to analyze the journey of batik and Tenun Endek Bali in Indonesian diplomacy. The findings present a compelling narrative. The research suggests a potential link between the use of batik and Tenun Endek and positive outcomes at global meetings, including free trade (APEC 1994), regional cooperation (ASEAN Summit 2011), and consensus building (G20 2023). This highlights Indonesia’s evolving role on the international stage. This research offers a fresh perspective by examining the long-term use of batik and Tenun Endek Bali by Indonesian presidents as cultural diplomacy tools at global events, proposing a novel link to positive outcomes, and highlighting cultural heritage’s potential as a ‘soft power’ diplomatic strategy.

The Preservation of Abdi Dalem Code Choice among the Members of Samman Ritual in Beraji Village Sumenep Madura, East Java

Aditya Rizky Wibisono Sapran, Ismatul Khasanah, Muhammad Zainul Auliya' — Fri, 31 May 2024 00:00:00 +0000

The research aimed to describe the influence of the samman tradition through the usage of the abdi dalem code choice, which was uttered by the ritual members, specifically in Beraji Village, in their daily conversations to preserve a language. This research was a descriptive qualitative study that employed several works of literature, including (1) sociolinguistic, (2) language maintenance, and (3) code-switching and code-mixing, to explore the maintenance of the abdi dalem code choice within the daily discourse of ritual members in Beraji Village Sumenep, Madura. The data of this research were purposive recorded samplings and transcriptions of inserted abdi dalem code choice within conversations among Madurese who were active as members of the samman ritual in Beraji Village. The data were collected through ethnographic observations and then used to conclude how individuals preserved the abdi dalem code choice in their daily discourse by utilizing the transcribed lyrics of the samman ritual as the main parameter. The results show that six abdi dalem words remain as parts of daily conversations among ritual members in Beraji Village, specifically when the discourse involves (1) a teacher and a student, (2) a mother and a child, or (3) elderly colleagues. The discussion in this research elucidates the sociocultural relationship between abdi dalem words in the samman ritual and the honorifical-generational implementation of the abdi dalem code choice among ritual members in Beraji Village Sumenep, Madura.

Intangible Space of Continuity and Changes in Ondel-Ondel’s Costume Elements and Performance

Fri, 31 May 2024 00:00:00 +0000

The research discussed Ondel-ondel, a significant and tall doll from Betawi. Since the costume elements could be changed anytime, anywhere, and in any shape, Ondel-ondel appeared more alive and appealing in different looks. Initially, Ondel-ondel seemed too unchanged, but it was prettier than before. There were many Ondel-ondel performances in Jakarta's streets that were not accompanied by music. Ondel-ondel transformed not only the costumes but also the myth from repellent to entertainer. The changes were exciting to discover the concept or idea of its background, relationships, impacts on the environment, and other meanings for society. Based on a historical approach with semiotic analysis and interpretation as a research method, Ondel-ondel costume elements underwent continuity and changed alongside the social, political, economic, and cultural contexts linked to the role of power of its respective time. Within the continuity and changes in each Ondel-ondel model, there was a compromise and social dynamic in society, which gave the costume elements a unique trade. This compromise created a cultural negotiation space in the community and helped to develop a typical environment that distinguished itself from others. The result is four Ondel-ondel models, each representing society's compromise and the social dynamic between the authorities, the community, and the Ondel-ondel players. When the transformation of the ondel-ondel's appearance creates an intangible space between maintaining its ideology. Meanwhile, on the other hand, the changes in ondel-ondel portray how the changing times also alter the appearance of the ondel-ondel.

Exploring the Meaning of Addressing Ité in the Manggarai Language and Culture

Sebastianus Menggo, Sabina Ndiung — Thu, 06 Jun 2024 00:00:00 +0000

The research explored the connection between the linguistic elements and cultural principles of the Manggarai language, focusing on the provided arguments. Language utilization typically represented the societal customs, cognitive processes, cognitive functioning, historical context, and interconnections within a given human civilization. Utilizing the inclusive personal pronoun, ‘we ité’ in the Manggarai language facilitated the identification of two indicated elements (linguistic elements and cultural principles). This research was descriptive-qualitative, and the data were obtained using observations and interviews conducted with fifteen traditional representatives from six communities using the purposive sampling method. Subsequently, a qualitative analysis was performed on the collected data. The findings suggest that its utilization in its various manifestations indicates the cultural norms and customs observed by those living in the Manggarai region of Indonesia. Based on the presented data, this research asserts that the first personal pronoun plural inclusive ‘we ité’ in the Manggarai language and culture serves as a means for the speaker to communicate politeness and humility towards the hearer or listener. It signifies a genuine respect for the interlocutor, particularly when they hold a high position. In addition, it shows familiarity, brotherhood, and sincerity in interpersonal relationships by expressing respect, appreciation, and enthusiasm. Lastly, it serves as a profound respect to the Almighty Creator.

Synthesizing Jakarta City’s Local Wisdom: Reimagining Sidewalks with an Emotional Design and Sustainability Approach

Ferric Limano — Mon, 24 Jun 2024 00:00:00 +0000

The research objective was to design sidewalks as walking facilities and public spaces, considering comfort, safety, cleanliness, and functionality for Jakarta’s residents. The city of Jakarta, as a megapolitan center, hosted various societal activities. The high mobility of Jakarta’s population led to busy sidewalk activities, especially walking, regulated by the Director General of Highways’ guidelines. Walking could help reduce pollution, with Jakarta having the worst pollution in 2023. The research problem, based on 360-degree Google Maps images of sidewalks, was that sidewalks serve not only as footpaths but also as public gathering spaces. The qualitative research method examined digital data on sidewalk use in Jakarta (west, central, south, east, and north). The design process incorporated emotional design (visceral, behavioral, reflective) and three dimensions of sustainability (The Overlapping Spheres Model of Triple Bottom Line/TBL). The result is a 3D sidewalk model using emotional and sustainability design approaches. Synthesis of emotional design interprets visceral (sensory), behavioral (habits), and reflective (values) levels. Synthesis of sustainability includes environmental, social, and economic dimensions, focusing on air quality, water management, and energy efficiency. Social and economic aspects aim to meet Jakarta residents’ basic needs. Ultimately, these recommendations aim to make cities and neighborhoods inclusive, safe, resilient, and sustainable. However, this research is limited to design recommendations without direct implementation. Further research or implementation is needed to address these challenges and ensure Jakarta residents’ future well-being.