The Structural Analysis of Pan’s Labyrinth by Guillermo Del Toro as A Fantastic Film

Authors

  • Paramita Ayuningtyas Bina Nusantara University

DOI:

https://doi.org/10.21512/humaniora.v6i2.3323

Keywords:

structuralism, fantastic stories, film studies, genre, absolute hesitation

Abstract

Using structural approach and Tzvetan Todorov’s theory about ‘absolute hesitation’, this research discusses how the narrative and cinematographic elements build Pan’s Labyrinth (2006) as a unique fantastic film. Directed by Guillermo del Toro Pan’s Labyrinth is a film in Spanish about a little girl named Ofelia who has to live in a house in the middle of the forest and experiences many bizarre incidents, including meeting the Faun. The narrative elements discussed in this paper are motives and themes, while the cinematographic elements are settings, lighting and colours. To analyze the data, this research uses a qualitative method that lies on library research. The result of the discussion shows how the intrinsic elements successfully built ‘absolute hesitation’ in Pan’s Labyrinth. Thus, Pan’s Labyrinth can be categorized as a fantastic film with a dark twist that is Del Toro’s irreplaceable characteristic in directing films.


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Author Biography

Paramita Ayuningtyas, Bina Nusantara University

English Department, Faculty of Humanities

References

Boggs, J. M. (2008). The Art of Watching Films. London and Toronto: Mayfield.

Del Toro, G. (2006). Pan’s Labyrinth. Tequila Gang: Spain and Mexico.

Djokosujatno, A. (2005). Cerita Fantastik dalam Perspektif Genetik dan Struktural. Jakarta: Djambatan.

Jackson, R. (1981). Fantasy: The Literature of Subversion. London: Routledge.

Lindsay, R. (2012). Menstruation as heroine’s journey in Pan’s Labyrinth. Journal of Religion & Film, 16(1), Article 1.

McCullough, D. W. (2004). The Unending Mystery: A Journey Through Labyrinths and Mazes. New York: Pantheon.

Müller, M. (1997). Reconsidering the fantastic: An anthropological approach. Anthropoetics, 2(2).

Phillips, W. H. (2009). Film: An Introduction. Boston and New York: Bedford/St.Martin’s.

Sambamoorthy, A. (1997). ‘The Fantastic’ as a Mode of Writing in Janet Frame’s stories. Deep South, 3(2).

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Published

2015-04-30

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Section

Articles
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